the palm tree needs no introduction to anyone who has visited this part of town. diamond boozer and blitz survivor, it stands solitary on the regents canal between mile end and the roman road, quietly resisting the urge to move with the times. on weekend evenings you can enjoy the jazz standards of the great american songbook played by the musicians who feature on the album, no ticket required. tom oldham (@tommyophoto) is a london-based portrait photographer, shooting portraits of musicians, sports stars and talented folk all round the world. his work has been widely recognised by the taylor wessing photographic portrait prize, the open series in the aop awards and most recently the sony world photography awards 2018. andy gangadeen is a drummer of international renown, playing with bands as prominent and diverse as duran duran, massive attack, spice girls and chase & status. he a true pioneer of live dance music drumming and has been known to pick up the sticks at the palm tree from time to time

for this 16th release, the label wanted to add to its panel of artists an emblematic figure of the french house scene for several years. it is thus franck roger who sticks to the production with 4 tracks in the colors of the french label.

a project 18 months in the making, marcel fengler presents a imf10, an astonishing three part compilation series detailing the past, present and future of his label index marcel fengler.

a glorious live disco workout harking back to the spirit of new yorks heyday when love and inclusivity ruled the dancefloor. featuring additional remix by rahaan. you need this in your life! you know that feeling when you hear a killer melody and it just sticks in your head and makes you wanna dance? call it disco, call it what you want, this song is packed with soul, emotion and a righteous hook, boasting a stunning vocal performance from us singer angela gooden and comes armed with heavy percussion, funky bass, and some serious rhodes. as part of a three track vinyl package on madrid label lovemonk, new york/madrid dj, producer and vinyl vendor oli stewart, better known as casbah 73, goes back-to-boogie-basics on the lead track, along with a b side re-fix by chicago s don of the disco edit, dj rahaan, and a full-on percussion jam instrumental cut. love saves the day is a joyous tribute to open-minded and inclusive clubs past and present with a sly nod to the seminal new york institutions like the loft and the paradise garage. but this record isn t some banal exercise in faithful reproduction, rather a exhuberant slice of soul-disco that reignites the spirit of these underground nightclubs, lofts and warehouses. casbah 73 has handpicked key musicians from around the globe and threaded all these together for a smack-you-on-the-lips belter, reverberating with positivity love really is the message. rahaan s on-the-spot offer to remix love saves the day came about after a chance meeting with casbah 73 in madrid. a couple of days were spent checking out records and drinking wine oli is one of europe s leading disco, soul and jazz vinyl dealers when he played rahaan an early demo. the rest, as they say, is history

reissue of jamie.t’s 2009 album “kings & queens”. housed in a gatefold sleeve with download code included.

to differentiate between his solo dance-oriented work to the darker tones, kaczmarek aka paul ritch launched his new album titled iiiiiiiiiiiiii on october 30th on his fresh imprint kczmrk. kczmrk is definitely a more personal project for paul, helping him define a newly found darker and more genuine taste to produce electronic music, which would even the most demanding audience left surprised. kaczmareks immersive sounds on his debut album were highly supported by respected artists of the underground scene such as sterac, vril, lewis fautzi, vsk and djedjotronic, who will contribute reworks that will come out in a remix ep in february 2018. the 12inch is gently introduced with a sophisticated remix of iiiii by techno pioneer sterac aka steve rachmad, continuing with vril’s remix of iiiiiiiiii who delivers beautiful ambient tones in a euphoric travel of sound. the b side begins with emerging talent lewis fautzi and his iiiis remix in a deep and hypnotic cut, followed by the curtesy of vsk and djedjotronics remixes of iiiiiiiii. vsk sticks to the dark and hard forms of techno with glimmer of deeper and industrial sounds while djedjotronic enrich kaczmareks dark techno tones with some futuristic idm.

multi-platinum artist awolnation announced the release of their third studio album, here come the runts, on february 2, 2018. bruno spent 2016 crafting the album in his home studio nestled in the coastal mountain range separating the pacific ocean and the suburbs of los angeles where he grew up. the secluded location is reflected throughout the album. “the record definitely has a feel to it that seems parallel to the vibe of this mountain and the land,” bruno notes. “it’s like a non-gmo record. there’s no fake shit on there, none of the vocals are tuned. it’s all real playing.”

known by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, jackie shane has remained largely unknown outside toronto, where her career briefly flowered in the 1960s. beyond her unmistakable gift of the gab, shane is a pioneer of transgender rights, born in a male body but unabashedly living her entire life as a woman at a time when to do so seemed unthinkable. any other way is the first artist-approved collection of ms. shanes work, ollecting all six of her 45s and every highlight from the legendary 1967 live sessions at the sapphire tavern, including three mind blowing, previously- unreleased tracks. rob bowman’s 20.000 word essay is jackies first communication with the public in nearly half a century, telling for the first time ever jackie shanes story in her own words. this deluxe two album set is copiously illustrated with never-before seen pictures from a career and a life unlike any other.

this record is a collaborative between marq spekt and experimental, proto-new wave musician gary wilson (stones throw). it’s rare that you get the opportunity to work with the actual artist rather than just sampling his records. gary opened his vaults and provided sample soundscapes. some of these instrumentals date back to 1973 and may have been heard before. others may not. the ending result is a pure creative expression and meshes hip-hop, psychedelic, jazz and funk. soak up the vibrations and enjoy!
this is the kind of idea that makes you enjoy the fringes of rap more than what’s in the spotlight. with that said, “broken mazes” sounds weirder on paper than it does in the headphones. gary wilson is an awesomely strange dude with some outré music under his belt, but for this project spekt wisely sticks with the more accessible sides of wilson’s catalog. it’s all breezy jazz-funk with some vague psychedelic touches for extra oomph, a wide-open feld for spekt to run his free-flowing bars. the result is relaxed and enjoyable, if at times a bit unfocused – kinda like a good open-ended improv session by a talented jazz band.

inaugurating the release, the cleverly designed oberservate drives forward with relentless kick drums that merge into self-indulgent pads slowly growing into a stargazing techno tale. p.leones remix sticks to the originals covertness while adding more depth by peeling out the pensive atmosphere as his lead synth gears more empathically towards the dance floor. opening the flip, discrete circuits ambient version of remote conversation in which the monologic acid line encounters blood boiling pads passing through some unknown territory. blind observatoryÆs remix rips out the principal elements from the original in order to create a pulsating ominousness reminiscent of his trademark neo-futuristic journeys that are roaming through cinematic sci-fi realms.

jimi tenor featuring impostor orchestra lp, exocosmos, is more than a decade s worth of sessions emerging from a parallel cosmos. sometimes the meetings take place in a living room, sometimes inside an electronic sequencer. fields of rhythms have emerged through the hands of children playing sticks. the composer s pen has been a conduit of the horizon where past and present choose their sides. the lp which is immediately intimate yet metamorphose into massive, the search for a magic moment has been profound. tribulation and delight are equally true in exocosmos.

the mission’s 1992 album back on 180 gram vinyl with download code included.

the 3 release. 3 artists. 3 solid tracks. rex hansson has made a solid original version. you clearly hear his skills as a past percussionist. the beats together with skånska vocals, low key rhodes and some 303 knob twiddling make this track special and great. emil nyman. this mix is something. it’s tossing and turning from a metallic sound to the softest wood. from the deepest parts of the ocean we follow the pads and organ up in the sky. the b side is dedicated clark eng. a minimal offbeat version with low toms and rattling high sticks, claps and snares. the track is moving like a newcomen engine. the minor changes all the time makes it to a hypnotic minimal house track.

gidge is a production duo consisting of jonatan nilsson and ludvig stolterman. based in the northern parts of sweden, gidge quickly built a solid fan base with releases of their albums autumn bells, lnlnn and lulin. the music of gidge seems to affect their audience in an emotional way, which eventually resulted in the duo taking the top spot as best new artist at xlr8rs readers poll, as well as having the 3lps ending up on numerous end of year lists. their main source of inspiration is the vast, snow-covered woodlands of the north. gidge have for instance recorded all of their percussions in the forest, using only the sticks and rocks that can be found there. for seoul though came about after the duo went on a trip through asia, and spent a number of days in the south korean capital. they fell in love with seoul, and later on created this two-part hymn for the giant city. applescal created a remix for the track, which you can listen on the b side.

lange war es still um nelly furtado. nach ihrer letzten welttournee zu ihrem album »the spirit indestructible« gönnte sich die kanadische sängerin erst einmal eine wohl verdiente pause, die allerdings fast fünf jahre dauerte.
ausgeruht und frisch startet sie 2017 ihr comeback. im gepäck hat sie ihr neues album »the ride«, für das sie mit zwei echten hochkarätern zusammenarbeitete.
das transparente 180 gramm doppelvinyl erscheint im 3-fach klappcover.

scotland s premier electro alchemist is back on shipwrec and this time flying solo with five shards of sharpened machine music. beats rain down in solid sheets, a hail of drum patterns pelt and pound. acid scorn, speeding snares and scorched sound roar and rumble in the menacing -days of rage.- the 12- hisses and howls, sending forth a searing line of percussion as gears crank and grown. -glasgow to detroit- is just as fiery, scorn and sparks leaping off burning bars. aggression is always at the surface, and behind the razor rhythms lurks a palpable paranoia, as in -daisy cutter- or -uprising.- the only respite comes with the complex and textured -stones and sticks.- harsh mechanics from an industrial heartland.

four hypercurrent and gently melancholic cuts on this new vinyl only label linked to one of lisbon s best clubs for house and techno, ministerium. side a is all about the electro: markus sommer s trademark stinson-indebted grooves strike an optimistic note on empyrium, while happy-sad chords soften the sharper edges of klein/melchner s breaksy plata o plomo. house is the feeling on side b: phil evans syscresh sticks a tech house groove and bumping bassline under the mournful bleeps of a heartbroken computer, before ministerium regular jorge caiado takes us into a languorous, transitory mood on between flights, its dreamy cliffside opening taking a deep plunge into a reverb-laden acid finale.

!! 2017 repress !! dodgy white label number 1 from your favourite grumpy old shit sticks is a couple of low rent, don’t do much ass shakers from the vaults.
give me the was made in 2007 & let’s dj’s get on with what they love doing ….. mixing the hell out repetitive records.
our man though may, or may not, be heavily sliced out of something else & rearranged into dancer paradise from the shards left over.

rekids return with an ethereal release from burgeoning producer patrick conway featuring hessle audio’s pangaea on remix duties. -records inspired by transcendental mediation, uk rave, sheffield bleep/warp records, carl craig circa early 90 s, silent servant, shabba ranks and joss sticks smoking out the studio…- – patrick conway syncopated percussion introduces ‘sandy lane’ whilst ebbing pads and metallic nuances add to an overall shadowy aesthetic. ‘orbit’ then sees intricate breaks, ghostly synths and murky melodies join piercing vocal cries before pangaea delivers a cacophonous remix combining crunchy drums with effervescent notes and a throbbing low-end.

limited to 66 copies // 12inch single-sided

nice price deal !!! jimmy edgar is back, this time under his noir friction alter ego to deliver a raw warehouse styled cut. a very basic, yet catchy track that sticks after the first play. comes in vocal and instrumental mix. house at its purest. night moves is a rush hour produced sublabel that will focus on raw electronic dance tracks.

following up the inaugural release by glos, escapism 002 is a mesmerizing two- tracker by one of leipzig s most talented producers, talski. he is part of the institut fuer zukunft crew, co-runs dur records and also performs rare live sets together with his friend perm as pandt. soothsayer shows why analogue production skills are still highly appreciated in contemporary dance music. by limiting himself to only a few machines, talski manages to create addictive and reduced tracks that focus only on the essentials. this comes especially apparent on soothsayer i which although stripped back, builds tension, has atmosphere and is driving. soothsayer ii is more evolved. straight enough to keep people on the dance floor, yet with a fragile and melancholic beauty to it, that sticks with you long after leaving the club.

cloud corridors is the first release of jan philipp longerich alias processed.sunshine and also the debut on his imprint fertile imagination music, which stands for puristic grooves, deep and dreamy vibes and an all in all raw sound that sticks tight to the original idea of a track. inspired by different formations of clouds and their movements, the record takes the lsistener from huge cloud castles in wolkenburg through cloud corridors down into the dark vibe of the fog. minimalistic drum manchine patterns, deep pads, hypnotic sequences and morphing basslines give the record its warm, lively and feral character. the lp was completely created out of live sessions with analog equipment and each track was recorded in one take. - these bouncing analog grooves are made for after hours in the early morning.

dubtil’s debut for amphia comes in line with the previous 10 releases’ tagline: tailoring new musical perspectives into the multidimensional universe of electronic music. the opener -indoiala- sticks into our brains with its slow decaying voices, pitched down to embrace the devilishly simple percussion. keeping the same eerie approach to his idea of dancefloor oriented loops, dubtil completes side a with -alta schema-, another typical kick-led experience enveloped into a more haunting bassline. bearing a deep house dna yet not losing contact with the dancefloor energy through its breaks pattern, side b’s -repet slap repet- opens the gates to the abstract structure of -contrar-, an apparently chaotic contiguity of weird samples, glued to each other by the minimalistic bassline. jumping from one genre to another, confronting dusty preconcieved ideas just to turn them into a fresh sound: dubtil’s imagination fountain is far from getting dry! we now have the tangible proof.

following up on his exceptional 12&#8243,,,, debut numb (figure 73) earlier this year, seatoc mass delivers another ep of finely tuned and highly diversified techno deep space explorations. starting on an atmospheric note, cipher’s intricate melody winchingly twists its way under your skin while airy breakbeats faintly hint at the producer’s uk roots. in contrasting fashion the bleep- driven lost lakes sticks to its metronomic stomp, making for a simple yet utterly effective tool. choral howls and detuned synths merge on transform for a gentle yet trance-inducing introduction to the flipside. emotive highlight rain then sees the manchester producer sonically recreate a thundering storm, complete with flashing strokes of lightning and a downpour of celestial scale. the breakbeat returns on closer flying buttress, albeit now at much faster tempo, exploring the common ground between futuristic grime and techno. blending all these different styles and their distinctive tropes in a coherent statement is a feat not easily accomplished. yet here seatoc mass pulls it off again, developing further the confines of both his personal and the label’s sound.

you can always trust ludovic llorca. once a year he locks himself in his studio and works the magic which results in a local talk release. his previous releases on local talk, the same thing (classic proto housemeets-baggy us garage vibe) the rainbow song (it sounds like an underground summer anthem in waiting) are lt classics and now, ludo returns with a third release, i just can t ep. while some producers struggle with new ideas, trying to re-invent the genre, ludo sticks to what he knows best. strings and chords combined with a thick and squelchy bass is the foundation of the title track while on the flip, dirty stories, is as hypnotic as it is jackin, in fact, both tracks are so irresistible you d start wondering if ludo stole them from a snake charmer.

ltd repress, * thats what friends are for* showcases adesses touch for building tension. think back to those twelves from the dons of dancefloor drama - ron trent, carl craig, dj duke and murk - music built for a world where the lights dont come back on.

we are glad to introduce “fareed” half part of the french duo “society of silence” for his first solo ep on a label. with the “phausis ep”, fareed offers an interesting balance between emotional melodies and organic textures, raw sonorities : the result is full of tension and very personal : another point of view on the techno. we choose three original tracks and ask to our friend voiski to work on a aerial and refreshing remix which sticks perfectly with the original project. enjoy …

we are very proud to present this new single on help! the a-side, gratitude, is a track recorded in 2014 by dj central in rubber studios, aarhus. if it wasnt for the support and encouragement of fellow regelbau-homies kasper skov and dj sports, this piece of energetic dancemusic wouldn t have seen the light of day. the long, vivid, ambient penta-tune on the 2nd face was recorded during same summer in amsterdam by ask your hands (tobias sachse, kaap, bobby van putten, dj sports and central). releases like this dont thread everybodys needle but we are gonna throw it against the wall and see if it sticks.

the 030303 crew come with a brand new various artist package in a beautifully designed sleeve to celebrate their 10th anniversary. while not all featured artist are new to 030303, the label mainly sticks to what it does best: digging up exciting new names from the raving underground. the smooth electronic tracks on the comp hold the middle ground between acid, idm, braindance, early 1990s 808 state-esque uk acid house and detroit techno.

japans leading techno artist yonenaga has been so much influenced by detroit techno. he launched his own record label select kashiwa records. derrick may already played his new promo which consists of 3 tracks. a1. room of glass and b1. fairies in the forest are highly recommended. his gorgeous but a bit rueful sound must sticks into your heart!

nice price deal !!! ephemerals debut on helena treats us to three deep originals, offset by a characteristically storming xdb remix on the flip. molecular and cirrus combine gritty textures, half-heard phrases, pulsing bass and cyclical synth and acid lines into the kind of meditative sound experience familiar to fans of plan b or underground quality – but here, and especially on ammonia, overlaid by the distinctly dubby feel of drizzly afternoons spent at ephemeral s home in the midlands. xdb, true to form, grabs the latter track and sticks on some serious afterburners, setting controls for a revved-up voyage across the surface of some distant planet.

this is the birth of b00m jack s new baby my dear friends n freaks... being asked to describe the 22 year old german musician kolja gerstenberg - one possible answer could sound like that he might be the lost twin brother of jamie jones (but it s just one among many other suitable answers) the youngster and music student (he s studying drums at university) kolja is a total opposite of the typical modern-music-scene-kind-of-guy as he sticks to his passion, which is house music in it s classic disguise like 20 years ago. kolja is not interested in following hypes or trends. what he loves are raw & dirty us house like trax or disco house flavoured tunes with loads of jazzy smell and glitter all over. kolja is and will stay real & authentic by keeping this behaviour. he is not aiming at superfi just for the higher potential of success or money or fame . . .

timeless techno with soul, funk and energy on this new sub club label, nautilus rising! with 28 years of nurturing local dj talent and delivering quality music week in and week out to glasgows most clued up people, the sub club is proud to present to you their brand new record label, nautilus rising. fair to say its been a long time breaking the surface! for this inaugural nautilus rising ep, the sub club sticks with that tried and trusted subbie approach. nr001 presents 4 new tracks from 4 scottish producers. all quality tracks on this first release

communist dub is pan sonic member ilpo väisänen’s second solo album for editions mego (asuma having appeared 2001). this striking new release is a statement against technocracy and the erosion of human community.

hedonism is an ethical theory that pleasure, in a sense of satisfaction of desires, is the highest good and proper aim of human life, and this seems to also be hdnsm’s ultimate musical objective. their first release debuted as a kickstarter of “variant ep” v.a. series, showcasing three very different yet highly contemplative creations from cumsecade, anestie gomez and man spider. hdnsm flips the coin and for the second episode of “variant” series it lands on two very solid, incredibly moody and extensive works from fresh talents shcaa and cleymoore. the ep features two very different tracks yet they share the same minimalistic core. both works are blessed with intricate micro-drum arrangements for those feeling groove hungry whilst still standing tall in the experimental abstract realm pleasing those who crave unusual frequencies. a-side’s “masquée” is one of shcaa’s typical rides between sound and silence and it is hard to find another artist who understands sound gaps between grooves better than shcaa does. with his signature vocals and an incredibly delicious duality between acoustic instrumentalism and electronic slamming, this is a groovy, highly deep, very intelligently arranged piece. the flip-side “nebula”, signed by pluie/noir’s boss cleymoore, is a tip of an iceberg when it comes to the art of stripping down. in an apparently thin canvas of minimal drum arrangements there’s a vast amount of sound frequencies underneath a steady ever-kicking groove, tricking your mind into thinking that you’re hearing less than you actually perceive. nebula is hypnotic and dense but focused and sophisticatedly groovy. like the repetitive vocals you’ll hear throughout the b-side, this v.a. sticks to your mind like an addiction of some sort and pushes hdnsm to a new standard of avant-garde and forward-thinking attitude. as before, this vinyl only release comes in a gorgeous cover featuring a painting from max binski and the number of copies available is limited

limited hand stamped 12- vinyl. for his second release on otb records, aggborough stylish-ly sticks to his guns. field recordings, vocals on a bed of well balanced techno. raw vs subtle, emotion vs groove. early support from adam beyer!.

ogun records returns for it’s second installment done by the incredibely talented alan backdrop. this northern italian has already gained a lot of appreciation amongst techno enthousiasts for his ep’s on enklav/motoguzzi records and his digitally released albums on prologue and ekar show his range of productions even more. with this release on ogun records he sticks to the label’s creed: an ep with a lot of value for dj’s, but still with intricate production techniques and enough warm layered textures/soundscapes to please even the most esoteric minds.

some proper break beat rave tracks. including a rivet remix. pressing on transparent vinyl

legotek s first lp is brought to you by tel aviv based dot. imagine one of those special sets. the kind of musical story that sticks in your mind for ages, you always remember and in times can scoop endless seeming power from. well this 8-tracker from dot just about fulfils this kind of stimulus. each track can be seen either as one special individual or the whole package as one big flowing journey. mixed together this could easily turn out as a live set. now then, about the unique music and its seductive vibe. staying true to the underground heart of legotek dot has managed what many aim for in effort. a vibrant, lively and deep sound constantly accompanied by strong kicks and pumping melodies. the analogue core of the story has been given the breath of life to become a classic piece of deep house history.

people must jam have an undisputed three for three on the score board, and it comes as no surprise that this serious second innings in the floor jammers va series is heading straight for the outfield too ! it s a truly international affair, as chicago disco don rahaan takes the lead with an irresistible uptempo jazz-funk rewire while uk producer andy ash is next up to the plate, rearranging and amping up a teddy p classic on the b, tokyo s beaten space probe takes on millie jackson s incendiary we got to hit it off (as recently hacked up by tom trago) bsp leaves in the best bits here as the powerhouse groove gets a respectful renovation. finally out in the sticks wrap it all up eighties fashion, as a slamming bassline led drum machine jam powers us to fourth base. strictly limited to 300 copies.

no logo return with nl003! this beast of a 12 inch contains four storming cuts of techno. originals from g-23 and ansome coupled with remixes from myler and the legendary paul birken! menacing hardware beats and junk sale percussion mould together in a hot bed of noise and distortion. killer!

die budos sind weit gereist und weit gekommen — sie haben auf vier kontinenten gespielt — seit den anfängen der band. eine gefühlte lebenszeit an welt-tourneen und wöchentlichen bandproben floss in die entstehung von burnt offering mit ein ... und die reise ist noch lange nicht vorbei. so lange es neues publikum zu begeistern und musikalisches neuland zu erforschen gilt, wird sie nichts stoppen. *wir haben unsere mission noch längst nicht erfüllt*, erklärt profilio. *wir sind immer noch hungrig.*
die vinyl-lp erscheint im klappcover inklusive.

12 inch repress , limited to 100 copies
- tropical vibes at ors. this time berlin based connaisseur aaaron delivers two peak time joints. on the b-side the african-inspired what i got. however the a-side comes straight from the jungle. ors is a label from djs for djs. with this release it shows us once again that even house doesnt need any genre barriers.

decadubs 3 is a vinyl-only companion-piece to hyperdubs next birthday collection cd, hyperdub 10.2 after 10.1, our first compilation of 10th anniversary dancefloor heaters, 10.2 features some of the labels best songs of the last five years, and this ep pulls tighter focus on six of that sets more body-moving moments.

die now geschichte umfasst viele jahrzehnte und genres. evelyn begann als b-boy der 1980er hip hop- und graffitszene, er fusionierte new yorker hip hop mit zu der zeit populären uk sounds und entwickelte sich so zum pionier des dubby trip-hop/downbeat. mit klassikeralben wie *smokers delight* und *carboot soul* sowie kooperationen mit de la soul und roots manuva wurde now zu einem der wichtigsten vertreter für hip hop, funk, dub & soul. die stärke seiner inspiration auch nach 25 jahren verdeutlichte jüngst das überraschend frische studioalbum *feelin good*. nun erscheint die greatest-hits-doppel-cd *n.o.w is the time* mit 28 tracks, die evelyn in einen chilligen *by day* und einen groovigen *by night* part aufteilt. parallel dazu erscheint das limitierte boxset *n.o.w is the time - deep down edition*, das neben der 2cd zwei vinyle mit unveröffentlichtem material, neuen und klassiker-remixen (u.a. ashley beedle, lfo, loco dice) sowie ein buch mit diverser memorabilia und interviews enthält.

after an astounding year for apollonia storming all corners of the earth, the three welcomed further success with a momentous fiesta at bpm to commence 2014. working the label in tandem, the list of pioneers featured thus far – point g, callisto and kerri chandler – is mighty impressive. jovonn is a name that sits naturally alongside them, the difference being that the forthcoming ep on apollonia is not a repress but juicy new productions. a highly respected international dj and producer hailing from brooklyn, jovonn made his mark within the underground house scene with classics such as >i cant make up my mind<, >garage shelter<, and the standout collaboration with dj deep >back in the dark<. an intrinsic inspiration to the apollonia trio, a personal relationship first formed at wmc miami last year. enjoying a production comeback following music on dogmatik and la vie en rose in 2013, talk of working with apollonia has fruitfully resulted in - the ep - . proving he can still produce a house bomb with ease, trippin is a jovonn future classic dripping in sexy hushed vocals, with a dub alternative that sticks to the tracks fundamentals. the march journeys forward into the deepness of dreamy synths, while the contagious beats lure you into a swinging metronome effect. in the words of jovonn, >its spiritual<.catch jovonn playing alongside apollonia at treehouse on 24th march, as part of this years wmc miami festivities

volume 6 der about berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

28 original recordings by blues legend ray charles on 180 gram double 12 inch vinyl in gatefold sleeve.